The Nutcracker is something American ballet companies
do every year; it is something ballet dancers have seen and taken part in from
an early age. Naturally, after years of
performances it becomes repetitive.
However, as dancers mature and polish their skills there’s always an
excitement and anticipation about what roles you may be dancing each new
year.
Lauryn Winterhalder as Clara in Santa Cruz Ballet Theatre's The Nutcracker in 2001 (Photo by: Bari Miller) |
I performed The Nutcracker at my home studio in
Santa Cruz, Ca from the age of eight to seventeen. I danced many roles over the years: Party
Child, Saltwater Taffy, Clara, Chinese Child, Ribbon, Garland, Snow Corps,
Flower Corps, Snow Queen, Arabian, Peppermint Candy Cane Marzipan, and Dew Drop
Fairy. After ten years, Santa Cruz Ballet Theatre’s version became natural to
me. When I left home to dance with
Pacific Northwest Ballet’s Professional Division, Kent Stowell’s The Nutcracker seemed very foreign. In Stowell’s version, there is added music
(Mozart), a company member dances the role of Clara, the sets are designed by
Maurice Sendak, the costumes are fabulous and the whole ballet has an Asian
theme - no Russian dance, no Marzipan, no Spanish, and no Arabian! Now, don’t
get me wrong, it is a great version, but it was nothing like the one I grew up
with and performed for ten years.
After a year in Seattle, I
moved to Ohio to dance with the Cincinnati Ballet. At CB, I performed Val Caniparoli’s The Nutcracker, the third version of The Nutcracker in my repertoire (under my
belt?). In Caniparoli’s version, all the
dancers in Act II are dolls and Marie (Clara) is danced by a company member who
also dances Snow Queen and Sugar Plum Fairy.
Again, a fantastic version and outrageous costumes but nothing like
home.
Three years ago, I moved to
back to California to dance with Sacramento Ballet and I now dance in Ron
Cunningham’s The Nutcracker. My childhood ballet teachers used to dance
for Ron, Carinne at Sacramento Ballet, and Santa Cruz Ballet Theatre’s version
of The Nutcracker is influenced by
Ron’s version. I am finally able to
dance a professional Nutcracker that
feels like home/natural?! Although the
two versions are not exactly the same, they are very similar. Santa Cruz Ballet
Theatre still uses old costumes that they purchased from Sacramento Ballet!
Even though ballet dancers
perform The Nutcracker every year, I
can’t imagine not dancing it. The Nutcracker is a vital part of ballet
history and has been a big part of my life for fifteen years. I am so glad to be performing Ron
Cunningham’s The Nutcracker in
celebration of his 25th Anniversary Season and cannot wait to see
what the 2012-13 year has in store for me!
Lauryn Winterhalder